Playing for Change: Music, Transcendence and the Human Spirit
Published May 02, 2009 @ 02:43PM PT

Mermans Kenkosenki, from Playing for Change
In the summer of 2005, I traveled from Serbia to Rwanda, spending as much time as I could with the nonprofits, volunteers, social entrepreneurs, and communities who were working to create a better future. The trip, which largely took place in post or current conflict zone, forced me into ugly confrontation with the question that lurks behind economic development: "development" to what ends?
Perhaps this will seem obvious, but stories I heard and the passions that drove the people I found were not focused on economies of consumption, they were about the ability to be more; to have the freedom and mobility to pursue passions; to provide happier and more comfortable lives for their family, and to experience the joy of being alive in it's full richness without the threat of brutal, stupid, and undeserved war or famine or poverty.
It may just be me, but I often need to remind myself that the reason I work to create change is to unleash the full potential of the human spirit. If the global market is a vehicle for that, I'll seize it with gusto, but that is means, not end.
There is little that does so much to remind me of the beauty and potential of our creativity as music. When I hear the first few notes of the chorus I/II of Bach's "St. Matthews Passion," the way the hair stands up on the back of my neck is the same as when I'm grabbed by the sardonic groove of Fela Kuti's "Shuffering and Smiling" is the same as when I feel the staccato pulse of Arcade Fire's "Rebellion (Lies)" is the same as when I hear Esau Mwamwaya triumphantly holler "Malawi!" over Sri Lankan-via-London M.I.A.'s anthem "Boyz."
Music makes me feel connected to a human experience that is more than the sum of its problems.
That's why I love the Playing for Change project, a multi-year journey that brought a mobile recording studio around the world to have dozens of musicians collaborate virtually to render some of the most powerful, moving, and beautiful songs of all time. The project has ambitious goals:
...to inspire, connect, and bring peace to the world through music. The idea for this project arose from a common belief that music has the power to break down boundaries and overcome distances between people. No matter whether people come from different geographic, political, economic, spiritual or ideological backgrounds, music has the universal power to transcend and unite us as one human race.
But no matter how big that seems, it's something that resonates deep, deep in my guts. It reminds me just how lucky we are to live in a moment where someone can actually convene this wonderful collaboration. Watch this video of "One Love," listen to the steel guitar hang on those very first notes and just try to feel alone. Then look at the comments.
To learn more about Playing for Change, including the work of their foundation which is building schools and supporting music programs around the world, visit their website.
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Comments (4)
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Great post, Nathaniel, and what a truly wonderful project this is.
As someone who has been listening to "world music" for over twenty-five years, this project is close to my heart because of its adept blending of music from around the world into a coherent & effective whole.
It also introduces people in the richer countries to some of the AMAZING musicians & singers from throughout the world & hopefully will engender a greater following of these musicians & the musical traditions from which they come.
Living Positively, debbie :)
www.mpwn-uganda.org
Posted by Debbie Kreuser on 05/03/2009 @ 08:06AM PT
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I agree Debbie. Do you have any Ugandan favorites?
Posted by Nathaniel Whittemore on 05/03/2009 @ 11:20AM PT
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Nathaniel,
You know that this posts strikes a particular chord with my heart. Limited by lack of language skills, my primary mode of communication in a foreign country is through my miniature backpacking guitar. Unable to speak in words, I try to win hearts through my songs from distant lands. So far, song has been my strongest tactic in breaking barriers, tearing down walls.
There was a time when governments (or monarchies) were the primary sponsors of some of the greatest musicians to have lived. And of course we all have national anthems and marches. Harmony seems to be ever present in war and in peace. Still, I wonder if our current foreign policy would seek to gain from deeper cross cultural engagement with the arts.
Charlie
Posted by Charles Harding on 05/03/2009 @ 09:39AM PT
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I'm right there with you Charlie.
I wonder though what the best vehicle for a "deeper cross cultural engagement with the arts," is? My instinct is that what governments can do best is about aspiration: extraordinarily high profile artistic talent exchanges that shows that we value global art and music.
The other piece is education, I think. Arts education is constantly under attack. Indeed, we even have a tendency to ask whether it's valuable for promoting math and science. We need to use more of people's creative intelligence, not less.
Finally, I think there's a legal piece as well. Today's music industry largely ghettoizes foreign music like foreign agriculture, only letting in small pieces. We need musical free trade. That's why I love companies like Modiba that are trying to build the basic infrastructure for disseminating and promoting global music.
Posted by Nathaniel Whittemore on 05/03/2009 @ 11:24AM PT
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